For my money, the best Classical Hollywood era posters came out of Italy. And here's a great example, for On the Waterfront. Needless to say, I don't need to extoll the virtues of this film, or more particularly, Brando's performance. That cab scene was probably the first time that acting ever moved me.
These posters are so vastly different to what is produced today and so much more compelling. It's easy to see how they could work as advertising (whilst still being artfully made), but it is unimaginable these days, that anyone would be compelled to see a film by a poster.
Designed by Leopoldo Metlicovitz (1868-1944) Here is a wonderful Art Nouveau style poster for the awe-inducing epic of 1914, Cabiria. It's available on dvd from Kino, so if you haven't seen it, get a copy and be amazed by the moving camera, and just generally sublime pre Griffith epicness of it all.
It was great when posters didn't carry slogans, quotes, and cast and crew lists. So much more effective and beautiful. It's interesting to note that the screenwriter Gabriele D'Annunzio is given top and sole billing.
This blog was created as a means for allaying my anxieties and broadening my horizons. My anxiety was that I was consuming film too passively; not really digesting them, and having to write about film, forces you to think and read.
The title of the blog comes from the influence the Cinematheque Francaise has had on me and the inspiration it has given me as a cinephile. Although this has been through books (not counting a visit to Paris and Bercy in August when it was closed). Hence the name Videotheque Anglais, as my viewing is largely restricted to digital projection of films. And I'm English.
As a play on the name of the blog, I also thought it would be interesting to literally use the name and steal programming ideas directly from the CF.
One of the most important things for cinephilia, I believe, is eclecticism. And this should 'force' me to watch films that I otherwise wouldn't.